And how deeply do

And how deeply do I let business considerations affect [screenwriting] choices that might otherwise be more or less esthetic? . . . Do I choose the upbeat rather than the downer ending because I know it will score better at the preview? Can the idea be sold in a single sentence? Can it compete with … Read more

It’s funny how certain

It’s funny how certain objects convey a message – my washer and dryer, for example. They can’t speak, of course, but whenever I pass them they remind me that I’m doing fairly well. No more laundromat for you, they hum. My stove, a downer, tells me every day that I can’t cook, and before I … Read more